Bridging the gap between here and there: Combining multimodal analysis from international perspectives
Multimodality can today be seen as one of the most influential semiotic theories for analyzing media artefacts. However, the concepts of this theory are ambiguously and heterogeneously widespread, especially with regard to approaches in Germany on the one hand and those within the international context on the other. Definitions of modality and even mediality differ from each other in terms of their general basis which, from a national perspective, is too often focused on language as the main point of description.